House Of Today

Faros

By Charles Kalpakian

Faros

by Charles Kalpakian

Size:
L 36 cm x W 30 cm x H 49 cm
Material:

“Faros" bedside tables by Charles Kalpakian are made in Verde Granit and ash wood. The series is open to different combinations of wood and marble.

Alter Ego

By david/nicolas

Alter Ego

by david/nicolas

Size:
Valet – W 47 cm x D 38 cm x H 150 cm Stool – D 31 cm x H 38 cm
Material:
Valet – opt 1: Green Metal Structure, Brass Details, Green Painted Wood, Green Leather opt 2: Black Coated, Metal Structure, Walnut Wood, Brass Details, Honey Leather Stool – opt 1: Green Metal Structure, Brass Details, Green Painted Wood opt 2: Black Coated, Metal Structure, Walnut Wood, Brass Details

Fading memories of business meetings, blurry phrases at a late night dinner. All vanished. All gone. And you’re home. Hat, jacket, tie, cufflinks. Armor hanging on a wooden servant. You’re stripped. Naked. Facing a mask the world believes is real. Your last performance of the day. Alter ego.

Play Time

By Hala Matta

Play Time

by Hala Matta

Size:
D 23 cm x H 28-50 cm
Material:
ceramics

Hala Matta is a ceramicist who is committed to local craftsmanship and vernacular methods in artistic production. She is the founder of Namika Atelier, a collaborative pottery studio and platform based in Beirut. In her practice, she has experimented with various ceramic techniques, including the potter’s wheel, the slab, hand building, and coiling. Having perfected her Raku firing techniques in Thessaloniki and Athens with Theodoros Galigalidis and Marilena Michopoulou, she came to build her own Raku kiln. It is through this kiln that she birthed her latest work. Her distinctive ceramic wall piece was produced in fragments delicately united to form an organic whole. In addition, her series of ceramic objects, Playtime Totems, are playfully adjustable and designed to become symbolically significant emblems. Hala Matta’s style is abstract, but her inspiration comes from the communicative power and beauty of nature, as well as the spontaneity of the pottery-making process itself. Her work can be found in Saleh Barakat Gallery in Beirut and Fondation Boghossian in Brussels.

Shapes and Shades

By Hala Matta

Shapes and Shades

by Hala Matta

Size:
D 27-40 cm x H 28-40 cm ;
Material:
ceramics

Hala Matta is a ceramicist who is committed to local craftsmanship and vernacular methods in artistic production. She is the founder of Namika Atelier, a collaborative pottery studio and platform based in Beirut. In her practice, she has experimented with various ceramic techniques, including the potter’s wheel, the slab, hand building, and coiling. Having perfected her Raku firing techniques in Thessaloniki and Athens with Theodoros Galigalidis and Marilena Michopoulou, she came to build her own Raku kiln. It is through this kiln that she birthed her latest work. Her distinctive ceramic wall piece was produced in fragments delicately united to form an organic whole. In addition, her series of ceramic objects, Playtime Totems, are playfully adjustable and designed to become symbolically significant emblems. Hala Matta’s style is abstract, but her inspiration comes from the communicative power and beauty of nature, as well as the spontaneity of the pottery-making process itself. Her work can be found in Saleh Barakat Gallery in Beirut and Fondation Boghossian in Brussels.

Whirling

By Hala Matta

Whirling

by Hala Matta

Size:
L 185 cm x H 200 cm
Material:
ceramics, bronze

Hala Matta is a ceramicist who is committed to local craftsmanship and vernacular methods in artistic production. She is the founder of Namika Atelier, a collaborative pottery studio and platform based in Beirut. In her practice, she has experimented with various ceramic techniques, including the potter’s wheel, the slab, hand building, and coiling. Having perfected her Raku firing techniques in Thessaloniki and Athens with Theodoros Galigalidis and Marilena Michopoulou, she came to build her own Raku kiln. It is through this kiln that she birthed her latest work. Her distinctive ceramic wall piece was produced in fragments delicately united to form an organic whole. In addition, her series of ceramic objects, Playtime Totems, are playfully adjustable and designed to become symbolically significant emblems. Hala Matta’s style is abstract, but her inspiration comes from the communicative power and beauty of nature, as well as the spontaneity of the pottery-making process itself. Her work can be found in Saleh Barakat Gallery in Beirut and Fondation Boghossian in Brussels.

Calice

By Hala Matta

Calice

by Hala Matta

Size:
D 21 cm x H 28.5 cm
Material:
ceramics

Stoneware, glazed and raku fired collection of totems, vases and a mural.

Vase in Raku

By Hala Matta

Vase in Raku

by Hala Matta

Size:
D 29 cm x H 29.5 cm
Material:

Stoneware, glazed and raku fired collection of totems, vases and a mural.

Mural

By Hala Matta

Mural

by Hala Matta

Size:
103 cm x 102 cm x 4 cm
Material:
ceramics

Stoneware, glazed and raku fired collection of totems, vases and a mural.

Platform B

By Karen Chekerdjian

Platform B

by Karen Chekerdjian

Size:
L 220 cm x W 120 cm x H 55 cm
Material:
Copper

As much sculpture as it is furniture, the differently sized volumes that make up the Platform series of tables combine to create a geometric topography reminiscent of a Cubist skyline.

Platform C

By Karen Chekerdjian

Platform C

by Karen Chekerdjian

Size:
L 140 cm x W 80 cm x H 41.5 cm
Material:
Mat Laquered wood

As much sculpture as it is furniture, the differently sized volumes that make up the Platform series of tables combine to create a geometric topography reminiscent of a Cubist skyline.

Half Rainbow

By Karen Chekerdjian

Half Rainbow

by Karen Chekerdjian

Size:
L 250 cm x W 7.3 cm x H 125 cm
Material:
mirror finish stainless steel tube

missing

Quarter Rainbow

By Karen Chekerdjian

Quarter Rainbow

by Karen Chekerdjian

Size:
L 125 cm x W 7.3 cm x H 125 cm
Material:
mirror finish stainless steel tube

missing

Fishawy

By Khaled el Mays

Fishawy

by Khaled el Mays

Size:
Rack (valet/boy): D 60 cm x 43 cm x 160 cm Fishawy Basket (laundry basket): D 60 cm x 43 cm x 45 cm
Material:
Solid French oak, brass, rattan

The Fishawy chairs are one of the most traditional popular chairs in the Mediterranean part of this world; they illustrate a tradition of interactions that not only belongs to the public realm but also insinuate a romantic slow moving world that we miss today. The Fishawy is an artisanal mutation of the THONET, Vienna bistro chairs; the later appeared in New York City in the late 1800’s. Since its first appearance and up till one hundred years later the chairs have gone through an infinite amount of iterations and updates to a point where it is hard to define the proportions and ergonomics of the initial Egyptian version. No rules applied, everyone felt entitled to act on it, and the chair belongs to the masses. The results vary depending on the levels of interventions. One simple thing that remained always the simple chair remained always a chair, sometimes innovative, sometimes disgraceful, but always a chair. The Fishawy rack and basket intend to deliberately and consciously illustrate this distortion, by physically and conceptually distorting the chair in order to give it a new life, a new function that places it in the world of contemporary design and collectibles, while at the same time acknowledge the qualities of the initial chair and built on its structural rules. The act of systematic vandalism and mutation did not only allow a new life and meaning for this typology, but also gave room to explore the mutated aesthetics and functions just like the initial influence, Vienna bistro chair by Thonet.

Mr. Brain

By Khaled el Mays

Mr. Brain

by Khaled el Mays

Size:
small: W 38 cm x D 14 cm x H 60 cm ; large: W 62 cm x D 24 cm x H 100 cm
Material:

The Lebanese culture is always infused into Khaled's work. He has lived in Lebanon for the majority of his life and gets most of his visual influences from his surroundings. There is a raw aspect to his designs that is a direct reflection of a city in constant growth trying to define its identity in a zone of constant conflicts. “Design Miami/ and Art Basel were always a dream for me, being part of the coming edition will certainly impact my life and my practice for the better." When speaking about the upcoming exhibition, Khaled mentions a full range of emotions from happiness, and pride to nervousness and excitement. As he will be showing a body of work almost a year in the making, he is keen to always have depth and meaning to the pieces as well as to the production process. Each pair of hands that the pieces pass through, give a new piece of soul to the series. Mr Brain Lamp is now part of a larger and exclusive collection sold at Nilufar Gallery Milano.

Escort of the Night

By Khaled el Mays

Escort of the Night

by Khaled el Mays

Size:
60 cm x 47 cm x 50 cm
Material:

The Lebanese culture is always infused into Khaled's work. He has lived in Lebanon for the majority of his life and gets most of his visual influences from his surroundings. There is a raw aspect to his designs that is a direct reflection of a city in constant growth trying to define its identity in a zone of constant conflicts. “Design Miami/ and Art Basel were always a dream for me, being part of the coming edition will certainly impact my life and my practice for the better." When speaking about the upcoming exhibition, Khaled mentions a full range of emotions from happiness, and pride to nervousness and excitement. As he will be showing a body of work almost a year in the making, he is keen to always have depth and meaning to the pieces as well as to the production process. Each pair of hands that the pieces pass through, give a new piece of soul to the series. Escort of the Night is now part of a larger and exclusive collection sold at Nilufar Gallery Milano.

Palmea

By Khaled el Mays

Palmea

by Khaled el Mays

Size:
L 80 cm x W 60 cm x H 230 cm
Material:
wicker, wood, leather, and brass, with fur seat

The pieces on display are an array of several explorations in design, where wicker wood leather and thread are interacting in a seamless layering and overlapping techniques, in order to present a distinctive look and visual presentation of traditional natural materials. The combinations created attempt to assert a language that explores the past use of the materials involved while at the same time present them in an array of visual conditions that projects them directly to the future, a future where the human hand in production is forefront.

Sunset

By Khaled el Mays

Sunset

by Khaled el Mays

Size:
L 330 cm x W 100 cm x H 60 cm
Material:
wicker, wood, leather, and brass.

The pieces on display are an array of several explorations in design, where wicker wood leather and thread are interacting in a seamless layering and overlapping techniques, in order to present a distinctive look and visual presentation of traditional natural materials. The combinations created attempt to assert a language that explores the past use of the materials involved while at the same time present them in an array of visual conditions that projects them directly to the future, a future where the human hand in production is forefront.

Carapace dining table

By Nada Debs

Carapace dining table

by Nada Debs

Size:
120 cm x 120 cm x H 75 cm
Material:
Shifted veneers, striped tin inlay

A synergy between the organic markings of nature and the rational lines of geometry, the Carapace tables play with exaggerated cellular patterns through the craft of marquetry whereby subtle shifts in wood veneers emphasize the shell-like patterns. The subtle colors of the shifted veneers envelope the smooth forms of the round edges, a challenge for the craftsman to attain. Occasionally the pattern is further emphasized using tin inlay at the edges, this craft technique is named ‘shifting veneer’.

Carapace side tables

By Nada Debs

Carapace side tables

by Nada Debs

Size:
Blue (large): L 60 cm x W 60 cm x H 48 cm ; Pink (medium): L 60 cm x W 30 cm x H 42 cm ; Grey (small): L 31 cm x W 31 cm x H 52 cm
Material:
French oak, color stained veneer, tin inlay

A synergy between the organic markings of nature and the rational lines of geometry, the Carapace tables play with exaggerated cellular patterns through the craft of marquetry whereby subtle shifts in wood veneers emphasize the shell-like patterns. The subtle colors of the shifted veneers envelope the smooth forms of the round edges, a challenge for the craftsman to attain. Occasionally the pattern is further emphasized using tin inlay at the edges, this craft technique is named ‘shifting veneer’.

"Jawz" Fauna

By Nada Debs

"Jawz" Fauna

by Nada Debs

Size:
L 90 cm x W 20 cm x H 90 cm
Material:
American walnut, Mother of Pearl, stained veneers.

Known for always exploring new craft techniques, Nada Debs invited storyteller Salim Azzam to create a narrative for the Patterns in Nature collection, launched during Beirut Design Fair 2019. Respecting nature as the highest source of inspiration for this collaboration, the two brands cultivate ecological and ornithological awareness and present it in the form of a handcrafted furniture collection. The universe of wood is vast. Debs and Azzam looks into the flawlessness of nature by observing how the fauna makes its home within the flora, replicating this marriage into luxury furniture. With the signature geometric patterns laid out in marquetry using walnut along with a new craft technique termed ‘contour inlay’ developed by Debs, the collection results in a show of poetic synergy featuring birds, botany and narratives of nature. ‘The collection reveals the many patterns in nature, from a full-fledged eco-system comprising of birds, insects and trees to the geometric patterns that I always use in my work as well as the beautiful patterns of the wood grains themselves’ says Nada.

From A Lover’s Discourse series - Candle Holder

By Nathalie Khayat

From A Lover’s Discourse series - Candle Holder

by Nathalie Khayat

Size:

L 55 cm x W 22 cm x H 13 cm

Material:

Porcelain, raku-fired

From A Lov er’s Discourse series by Nathalie Khayat, a collection of sculptures serving as containers for fruits and candles.

FROM A LOVER’S DISCOURSE SERIES - FRUIT BOWL

By Nathalie Khayat

FROM A LOVER’S DISCOURSE SERIES - FRUIT BOWL

by Nathalie Khayat

Size:

L 51 cm x W 23 cm x H 15 cm

Material:

Porcelain, raku-fired

From A Lov er’s Discourse series by Nathalie Khayat, a collection of sculptures serving as containers for fruits and candles.

Light Sleepers (big shiny white)

By Nathalie Khayat

Light Sleepers (big shiny white)

by Nathalie Khayat

Size:
L 40 x W 31 cm x H 19 cm and L 55 cm x W 22 cm x H 13 cm
Material:
missing

missing

Anatomy

By Roula Salamoun

Anatomy

by Roula Salamoun

Size:
L 140 cm x W 45 cm x H 80 cm
Material:

This product explores the relationships between the human body, space and the objects in between. It invites the viewer to imagine an environment where bodies infuse in the tangible space as much as they affect the invisible one. Anatomy is generated by an iterative casting process taken from different bodies. The collected shapes and parts become design instruments that are themselves subject to casting, creating the opportunity to add, subtract or transform the information into a novel, redefined body. The resulting anatomy, a singular entity of multiple histories, takes on a life of its own. When introduced in a domestic or familiar built environment, the product engages with its surrounding and brings out, naturally, a feeling of anthropomorphic surrealism. Up close, the humanoid landscapes shelter horizontal surfaces concealed within pockets. In these creases, the areas vary in shape and size suggesting that their usage may differ. Adhering to the casting ethos, each and every product of the series of 12 is casted in the fiberglass mould of the original, hand-casted prototype.

Anatomy

By Roula Salamoun

Anatomy

by Roula Salamoun

Size:
D 8 x 60 x H 80 cm L 140 cm x W 45 cm x H 80 cm
Material:
Ultra-high performance concrete, fiber reinforcement

The anatomy series explores the relationships between the human body, space and the objects in between. It invites the viewer to imagine an environment where bodies infuse in the tangible space as much as they affect the invisible one. When introduced in a domestic or familiar built environment, the product engages with its surrounding and brings out, naturally, a feeling of anthropomorphic surrealism. The white ethereal appearance of the products is afforded by their thinness, and smoothness. The use of ultra-high-performance concrete, a material which is not typically used for design products, is connected to the designer's interest in materials and to her architectural practice. The Anatomy mirror can be placed vertically or horizontally. Its center is made of two reflective parts which are reminiscent of the presence of two bodies. When it is displayed together with the Anatomy console, the outline of the mirror engages in a dialogue with that of the console. Adhering to the casting ethos, each and every mirror of the series of 12 is casted in a mould of the original, with a signature engraved at the back.

Strata

By Roula Salamoun

Strata

by Roula Salamoun

Size:
Strata mini: 141 cm x 237 cm ; Strata Maxi: 198 cm x 304 cm
Material:

Inspired by the hills and cities of Nepal, Strata sources its inspiration from a visit to the capital together with the Maktabi’s. Strata draws from the fine line between architecture and landscape, from the rooftops, temples, and steps which intertwine with lush greenery and moss. It draws from the vibrant colors of the culture and city which fuse into another when covered with mist, and draws from the intimate relation the people share with their city. This relation is found again when discovering the world and culture around carpet-making as it reveals the tight knot between the weavers, makers, designers and the product itself. The carpet acts as a unifying element and creator of place, and belonging where the relationship between the body, space and objects are inexorably linked.

Morph

By Sayar & Garibeh x Katie Stout

Morph

by Sayar & Garibeh x Katie Stout

Size:
D 60 cm x H 68 cm
Material:
Hand-sculpted ceramic, clay, casted brass.

‘’Morph’’ side table is a result of a collaboration with Katie Stout, Brooklyn-based designer/artist. In this design we wanted to push our boundaries and at the same time to go back to our basic sketches, where usually our first visual starts to appear. Purifying our sketches and elaborating them to create geometrical shape is our method; in ‘’Morph’’ we wanted to translate our rough sketch to reality without the simplification process. A free, spontaneous and naïve design made out of a mix of ceramic, clay and casted brass, where all components are made and shaped by hand, without any machine involvement. In a process of a back and forth sketching game, where each designer was adding his/her own touch and thoughts to the initial sketch, the piece turned out to be a well welded and brewed design that represents the power of this collaboration.

The Broom bench

By Sayar & Garibeh

The Broom bench

by Sayar & Garibeh

Size:
L 185 cm x W 70 cm x H 90 cm
Material:

In our language, we tend to use materials that can be hand sculpted. By working around those materials we always look for playfulness. In this piece, the process focuses on hand carving a typical local stone found in north of Lebanon. The stone is bush hammered to create a tactile surface yet maintaining this majestical allure, along with the hand tied natural fibers, creating alltogether “The Broom Bench”

Baby Boy

By Sayar & Garibeh

Baby Boy

by Sayar & Garibeh

Size:
D 60 cm x H 29 cm
Material:

Terracotta, broom fibers

missing

Foam collection - cushions

By Sayar & Garibeh

Foam collection - cushions

by Sayar & Garibeh

Size:
orange: L 35.6 cm x W 24.1 cm x H 18.4 cm ; Blue: L 46.4 cm x W 31.8 cm x H 12 cm
Material:
Foam

The foam expands and moves, to reach new levels, and never can be limited by boundaries, it’s alive, dynamic and it can’t be trapped in a well-defined place, like memories ideas, and stories. It’s an interactive material; the procedure is part of an adventure never can predict its results and behavior.

Foam collection - mirror

By Sayar & Garibeh

Foam collection - mirror

by Sayar & Garibeh

Size:
D 95 cm
Material:
foam

The foam expands and moves, to reach new levels, and never can be limited by boundaries, it’s alive, dynamic and it can’t be trapped in a well-defined place, like memories ideas, and stories. It’s an interactive material; the procedure is part of an adventure never can predict its results and behavior.

Foam collection - Colorful Sculpture with Lamp

By Sayar & Garibeh

Foam collection - Colorful Sculpture with Lamp

by Sayar & Garibeh

Size:
W 20.3 cm x H 25.4 cm
Material:

foam, ceramic, bulb

The foam expands and moves, to reach new levels, and never can be limited by boundaries, it’s alive, dynamic and it can’t be trapped in a well-defined place, like memories ideas, and stories. It’s an interactive material; the procedure is part of an adventure never can predict its results and behavior.

Foam collection - Colorful Sculpture 4

By Sayar & Garibeh

Foam collection - Colorful Sculpture 4

by Sayar & Garibeh

Size:
W 18.4 cm x H 16.5 cm
Material:
foam, ceramic

The foam expands and moves, to reach new levels, and never can be limited by boundaries, it’s alive, dynamic and it can’t be trapped in a well-defined place, like memories ideas, and stories. It’s an interactive material; the procedure is part of an adventure never can predict its results and behavior.

Lochness Table

By Sayar & Garibeh

Lochness Table

by Sayar & Garibeh

Size:

Large: 162.6 cm x 94 cm x H 41 cm

Small: 79 cm x 68 cm x H 50 cm

Material:

Resin, clay

Lochness Table by Sayar & Garibeh..

Script

By Stephanie Moussallem

Script

by Stephanie Moussallem

Size:
L 140 cm x W 55 cm x H 74-84 cm (84 cm with accessory)
Material:
American walnut wood, genuine leather, casted brass

We are born with the liberty to write our own path, story, and script. The script of our life, career, family and most importantly the future of the world we live in. We are all trying, each in our own ways to elevate and refine the limits and rules to leave a better world for future generations. “Script” is a desk tailor made to leave you at comfort with everything you might need to write that scene down.

Jungle Urbaine

By Stephanie Moussallem

Jungle Urbaine

by Stephanie Moussallem

Size:
L 260 cm x D 61 cm x H 235 cm
Material:
French oak, fabric , marble and casted brass

missing

Primavera

By Stephanie Moussallem

Primavera

by Stephanie Moussallem

Size:
L 190 cm x W 46 cm x H 90 cm
Material:
American Walnut wood, Velvet and casted brass

“Nestled between flourishing mountains and the shimmering Mediterranean Sea, Beirut in spring blossoms into a city of wondrous abandon.” Primavera Console by Stephanie Moussalem is part of House of Today’s permanent collection.

Jasmine

By Stephanie Moussallem

Jasmine

by Stephanie Moussallem

Size:
L 47 x W 42 x H 50 cm
Material:
American walnut wood, Velvet and casted brass.

Jasmine/ يسمين is a night stand that will make you feel that you are wondering in Beirut’s streets during spring time. The purple bougainvillea and the white jasmines hanging from all the balconies, the sun, a little breeze; and that smell... Sweet dreams!

SottoMarino

By Stephanie Moussallem

SottoMarino

by Stephanie Moussallem

Size:
D 200 mm x H 365 mm
Material:
Painted wood + coral, fabric

missing

Granita Di limone

By Stephanie Moussallem

Granita Di limone

by Stephanie Moussallem

Size:
D 200 mm x H 785 mm
Material:
Painted wood + bakelite, fabric

missing

Campania

By Stephanie Moussallem

Campania

by Stephanie Moussallem

Size:
D 550 mm x H 1440 mm
Material:
Tinted french oak wood, coral, glass

missing

Possilipo

By Stephanie Moussallem

Possilipo

by Stephanie Moussallem

Size:
D 450 mm x H 1500 mm
Material:
Solid mahogany wood, velvet , brass and glass

missing

Faros II

By Charles Kalpakian

Faros II

by Charles Kalpakian

Size:

L 36 cm x W 30 cm x H 49 cm

Material:

French oak wood, onyx

I am still and quiet. I live during the day but especially at night. I travel through your dreams. I am straight, strong and strong like a rock in the filth of the night, I am the light like a lighthouse in your nightmares, the link to reality. I am the one who watches, who protects and who encloses your most intimate secrets. I am the guardian of your room. I am a rock of sweetness. I am essential. I am Faros.

Alfred

By david/nicolas

Alfred

by david/nicolas

Size:

D 15 cm x H 30 cm

Material:

Silver plated brass, and enamel details.

They said you should look nice, so you try to look nice. Believing you would eventually blend in, following all kinds of protocols, and even lying to yourself just to be pretty. The problem is that what you see is definitely never what you get, it may look pretty on the outside, but what is happening on the inside? What are you exactly? What defines the immaterial you? If you take away all the protocols and chaos, what is there left? The nature of the object. A trash.

Echo Mirror

By Sayar & Garibeh

Echo Mirror

by Sayar & Garibeh

Size:

30cm x 30cm x H 40cm

Material:

Casted Polyurethane flexible foam – Polished brass – Glass – Marble – Painted wood - Mirror

"Further developing the collection, we continue with a focus on reinterpreting cultural references through the use of new materials. Here, again, cast foam is the key. We have created a piece which references familiar elements yet sets them outside familiar contexts. With the foam – atop which sits a glass mirror - we’ve further explored its use and played with colors, density and porosity, once more creating an object eager to be touched. Part of a continuing story, when set in its contemporary context, the Mirror subverts the past and almost unwittingly reveals itself as part of a new tradition."

MoM - bedside table

By Sayar & Garibeh

MoM - bedside table

by Sayar & Garibeh

Size:

44 cm x 46 cm x 52 cm

Material:

Casted Polyurethane flexible foam, polished brass, glass, marble, painted wood

This design is based on the exploration of cultural traditions through everyday pieces and society’s contemporary interaction with them. Influenced by memories, the Bedside Table plays with overt references drawn from the omnipresent pearl jewelry of Lebanon’s past, and recreates these through the use of carved marble and turned brass. By whimsically suspending these around a circular base of cast foam, upon which is seated a molded transparent glass cabinet, they simultaneously achieve an abstract illusion of both the ethereal and the consequential; a contextualization of a reconstruction process. Through our experimentation and development with casting liquid foam, we’ve transformed this into a material of high perceived and structural value. The choice of the material was based on its chemical and physical properties. The foam expands and moves, to reach new levels, and never can be limited by boundaries, it’s alive and dynamic and it can’t be trapped in a well-defined place, like memories ideas and stories. It’s an interactive material; the procedure is part of an adventure, never can predict its results and behavior. It has a certain mystery and it reflects our resolve to assemble what was once forgotten. The procedure was based on molding different deconstructed elements hidden and preserved in a deep place in our minds and letting the foam merging, captivating and reconstructing all these elements in one entity, always highlighting its softness and delicate effect. By directly stacking contrasting layers and elements, including its opaque drawer, the Bedside Table juxtaposes materials and creates an object that demands to be engaged – physically and intellectually.