Size:

L 36 cm x W 30 cm x H 49 cm

Material:

French Oak Wood, Onyx.

“Faros" bedside tables by Charles Kalpakian are made in Verde Granit and ash wood. The series is open to different combinations of wood and marble.

Size:

Valet: W 47 cm x ø 38 cm x H 150 cm

Stool: ø 31 cm x H 38 cm

Material:

Valet.–

opt 1: Green Metal Structure, Brass Details, Green Painted Wood, Green Leather

opt 2: Black Coated, Metal Structure, Walnut Wood, Brass Details,

Honey Leather Stool –

opt 1: Green Metal Structure, Brass Details, Green Painted Wood

opt 2: Black Coated, Metal Structure, Walnut Wood, Brass Details.

Fading memories of business meetings, blurry phrases at a late night dinner. All vanished. All gone. And you’re home. Hat, jacket, tie, cufflinks. Armor hanging on a wooden servant. You’re stripped. Naked. Facing a mask the world believes is real. Your last performance of the day. Alter ego.

Size:

L 50 cm x W 27.6 cm x H 80 cm

Material:

Wood, Polished Stainless Steel

“... society at large is on a constant journey of elevating itself.” Some may say too much is never enough. However, we believe that this also creates some sort of goal to individuals, always longing for more, aspiring for things that are no longer materialistic but rather impalpable. Failure to accept reality often drives people to delusion. They refuse to accept this reality, they see in the mirror a different reflection than what they should see therefore transforming their delusions into their own reality.

Size:

ø 23 cm x H 28-50 cm

Material:

Ceramics.

Ceramic totems designed and made by Hala Matta.

Size:

ø 27-40 cm x H 28-40 cm

Material:

Raku fired ceramics, Metallic stands.

Ceramic plates inspired by shapes and shades, designed and made by Hala Matta in Lebanon.

Size:

L 185 cm x H 200 cm

Material:

Ceramics, Bronze.

"Whirling" a ceramic partition, designed and made by Hala Matta in Lebanon.

Size:

ø 21 cm x H 28.5 cm

Material:

Ceramics.

Stoneware, glazed and raku fired collection of totems, vases and a mural.

Size:

ø 29 cm x H 29.5 cm

Material:

Ceramics.

Stoneware, glazed and raku fired collection of totems, vases and a mural.

Size:

103 cm x 102 cm x 4 cm

Material:

Ceramics.

Stoneware, glazed and raku fired collection of totems, vases and a mural.

Size:

ø 70 cm x H 40 cm

Material:

Wood, Veneer, Rattan.

At the end of the day, you go back home. You take off your shoes and jacket at the door. You go in. You throw down your keys on the table, your groceries, your glasses, your books, your handbag. You unload. You sit. You rest your tired feet on top of the table. You push her close, you push her away. At your own convenience. You go to sleep. And the next day, you repeat. We have humanized that table, likening her to our human experiences. She is that person we vent out to. The person at whom we throw all our problems, and yet, she is always there, silently listening. She has her own wounds and her own scars. Maybe they are even caused by you. But she has stitched them up so nicely, that they are now a beautiful façade looking back at you. Ready for you all over again.

Size:

L 220 cm x W 120 cm x H 55 cm

Material:

Copper.

As much sculpture as it is furniture, the differently sized volumes that make up the Platform series of tables combine to create a geometric topography reminiscent of a Cubist skyline.

Size:

L 140 cm x W 80 cm x H 41.5 cm

Material:

Mat Lacquered Wood.

As much sculpture as it is furniture, the differently sized volumes that make up the Platform series of tables combine to create a geometric topography reminiscent of a Cubist skyline.

Size:

L 250 cm x W 7.3 cm x H 125 cm

Material:

Mirror Finish Stainless Steel Tube.

"Half Rainbow" floor lamp in mirror finish stainless steel tube.

Size:

L 125 cm x W 7.3 cm x H 125 cm

Material:

Mirror Finish Stainless Steel Tube.

"Quarter Rainbow" floor lamp in mirror finish stainless steel tube.

Size:

L 60 cm x H 185 cm

Material:

Brass Skeleton, Walnut Wood, Mirror.

Victor will hold up the mirror for as long as you like (need). A lover (an admirer) of all that is beautiful, he can't help sneaking a peek... There is a Victor in all of us (each and every one of us).

Size:

Rack (valet/boy): ø 60 cm x 43 cm x 160 cm

Basket (laundry basket): ø 60 cm x 43 cm x 45 cm

Material:

Solid French Oak, Brass, Rattan, Leather.

The Fishawy chairs are one of the most traditional popular chairs in the Mediterranean part of this world; they illustrate a tradition of interactions that not only belongs to the public realm but also insinuate a romantic slow moving world that we miss today. The Fishawy is an artisanal mutation of the THONET, Vienna bistro chairs; the later appeared in New York City in the late 1800’s. Since its first appearance and up till one hundred years later the chairs have gone through an infinite amount of iterations and updates to a point where it is hard to define the proportions and ergonomics of the initial Egyptian version. No rules applied, everyone felt entitled to act on it, and the chair belongs to the masses. The results vary depending on the levels of interventions. One simple thing that remained always the simple chair remained always a chair, sometimes innovative, sometimes disgraceful, but always a chair. The Fishawy rack and basket intend to deliberately and consciously illustrate this distortion, by physically and conceptually distorting the chair in order to give it a new life, a new function that places it in the world of contemporary design and collectibles, while at the same time acknowledge the qualities of the initial chair and built on its structural rules. The act of systematic vandalism and mutation did not only allow a new life and meaning for this typology, but also gave room to explore the mutated aesthetics and functions just like the initial influence, Vienna bistro chair by Thonet.

Size:

L 80 cm x W 60 cm x H 230 cm

Material:

Wicker, Wood, Leather, Brass, Fur Seat.

The pieces on display are an array of several explorations in design, where wicker wood leather and thread are interacting in a seamless layering and overlapping techniques, in order to present a distinctive look and visual presentation of traditional natural materials. The combinations created attempt to assert a language that explores the past use of the materials involved while at the same time present them in an array of visual conditions that projects them directly to the future, a future where the human hand in production is forefront.

Size:

L 330 cm x W 100 cm x H 60 cm

Material:

Wicker, Wood, Leather, Brass.

The pieces on display are an array of several explorations in design, where wicker wood leather and thread are interacting in a seamless layering and overlapping techniques, in order to present a distinctive look and visual presentation of traditional natural materials. The combinations created attempt to assert a language that explores the past use of the materials involved while at the same time present them in an array of visual conditions that projects them directly to the future, a future where the human hand in production is forefront.

Size:

ø 15.5-32 cm x H 27-32 cm

Material:

Stoneware, Glazed Porcelain.

The ceramist duo created a series of sculptural and decorative vases made in stoneware, covered with colored or white porcelaine then glazed

Size:

Console: D 56cm x H 80cm

Side Table: D 46cm x H 75cm

Material:

Raku, Glazed Stoneware

Simple shapes, in warm colors and earthen material, are placed one on top of the other. The playful, exaggerated stacking of basic elements to create towering structures is more than just an exploration of ceramics. TOTEM is veneration of tactility, materiality and form teetering on a game of risk.

Size:

120 cm x 120 cm x H 75 cm

Material:

Shifted Veneers, Striped Tin Inlay.

A synergy between the organic markings of nature and the rational lines of geometry, the Carapace tables play with exaggerated cellular patterns through the craft of marquetry whereby subtle shifts in wood veneers emphasize the shell-like patterns. The subtle colors of the shifted veneers envelope the smooth forms of the round edges, a challenge for the craftsman to attain. Occasionally the pattern is further emphasized using tin inlay at the edges, this craft technique is named ‘shifting veneer’.

Size:

Blue (large): L 60 cm x W 60 cm x H 48 cm

Pink (medium): L 60 cm x W 30 cm x H 42 cm

Grey (small): L 31 cm x W 31 cm x H 52 cm

Material:

French Oak, Color Stained Veneer, Tin Inlay.

A synergy between the organic markings of nature and the rational lines of geometry, the Carapace tables play with exaggerated cellular patterns through the craft of marquetry whereby subtle shifts in wood veneers emphasize the shell-like patterns. The subtle colors of the shifted veneers envelope the smooth forms of the round edges, a challenge for the craftsman to attain. Occasionally the pattern is further emphasized using tin inlay at the edges, this craft technique is named ‘shifting veneer’.

Size:

L 90 cm x W 20 cm x H 90 cm

Material:

American Walnut, Mother of Pearl, Stained Veneers.

Known for always exploring new craft techniques, Nada Debs invited storyteller Salim Azzam to create a narrative for the Patterns in Nature collection, launched during Beirut Design Fair 2019. Respecting nature as the highest source of inspiration for this collaboration, the two brands cultivate ecological and ornithological awareness and present it in the form of a handcrafted furniture collection. The universe of wood is vast. Debs and Azzam looks into the flawlessness of nature by observing how the fauna makes its home within the flora, replicating this marriage into luxury furniture. With the signature geometric patterns laid out in marquetry using walnut along with a new craft technique termed ‘contour inlay’ developed by Debs, the collection results in a show of poetic synergy featuring birds, botany and narratives of nature. ‘The collection reveals the many patterns in nature, from a full-fledged eco-system comprising of birds, insects and trees to the geometric patterns that I always use in my work as well as the beautiful patterns of the wood grains themselves’ says Nada.

Size:

- Navona White with Bronze Bird: W 6-9 cm x H 7.5 cm

- Coca-cola: W 4.5-8 cm x H 11 cm

- Fossil Red: W 6-9 cm x H 10 cm

- Tala Noir: W 4-8 cm x H 9 cm

Material:

- Navona White marble, Bronze Bird

- Coca-cola Rosso Levanto marble marble

- Fossil Red Onyx

- Tala Noir marble

The Neptune‘s cup series are inspired by one of the largest and rarest known sponges thought to be extinct for 100 years and which was recently rediscovered deep in the oceans bringing good news to the environment. Commonly called Neptune‘s cup referring to its iconic wine glass shape and the Roman God of the sea. Inspired by the different shapes of the Neptune‘s cup natural sponge, the vessels are hand carved in different marble types and colors similar to the ocean sponge’s hues. A small bronze bird sculpted and signed by the artist sits on the edge of the white Navona cup bringing good news to the environment. The Neptune’s cup collection will add a sophisticated, useful and environmental friendly touch to your home or working place while bestowing it with positive energy.

Size:

L 55 cm x W 22 cm x H 13 cm

Material:

Porcelain, Raku-Fired.

"From A Lover’s Discourse" series by Nathalie Khayat, a collection of sculptures serving as containers for fruits and candles.

Size:
L 140 cm x W 45 cm x H 80 cm
Material:

Ultra-High Performance Concrete, Fiber Reinforcement.

This product explores the relationships between the human body, space and the objects in between. It invites the viewer to imagine an environment where bodies infuse in the tangible space as much as they affect the invisible one. Anatomy is generated by an iterative casting process taken from different bodies. The collected shapes and parts become design instruments that are themselves subject to casting, creating the opportunity to add, subtract or transform the information into a novel, redefined body. The resulting anatomy, a singular entity of multiple histories, takes on a life of its own. When introduced in a domestic or familiar built environment, the product engages with its surrounding and brings out, naturally, a feeling of anthropomorphic surrealism. Up close, the humanoid landscapes shelter horizontal surfaces concealed within pockets. In these creases, the areas vary in shape and size suggesting that their usage may differ. Adhering to the casting ethos, each and every product of the series of 12 is casted in the fiberglass mould of the original, hand-casted prototype.

Size:

ø 8 x 60 x H 80 cm

Material:

Ultra-High Performance Concrete, Fiber Reinforcement, Mirror.

The anatomy series explores the relationships between the human body, space and the objects in between. It invites the viewer to imagine an environment where bodies infuse in the tangible space as much as they affect the invisible one. When introduced in a domestic or familiar built environment, the product engages with its surrounding and brings out, naturally, a feeling of anthropomorphic surrealism. The white ethereal appearance of the products is afforded by their thinness, and smoothness. The use of ultra-high-performance concrete, a material which is not typically used for design products, is connected to the designer's interest in materials and to her architectural practice. The Anatomy mirror can be placed vertically or horizontally. Its center is made of two reflective parts which are reminiscent of the presence of two bodies. When it is displayed together with the Anatomy console, the outline of the mirror engages in a dialogue with that of the console. Adhering to the casting ethos, each and every mirror of the series of 12 is casted in a mould of the original, with a signature engraved at the back.

Size:

Strata Mini: 141 cm x 237 cm

Strata Maxi: 198 cm x 304 cm

Material:

Wool, Silk.

Inspired by the hills and cities of Nepal, Strata sources its inspiration from a visit to the capital together with the Maktabi’s. Strata draws from the fine line between architecture and landscape, from the rooftops, temples, and steps which intertwine with lush greenery and moss. It draws from the vibrant colors of the culture and city which fuse into another when covered with mist, and draws from the intimate relation the people share with their city. This relation is found again when discovering the world and culture around carpet-making as it reveals the tight knot between the weavers, makers, designers and the product itself. The carpet acts as a unifying element and creator of place, and belonging where the relationship between the body, space and objects are inexorably linked.

Size:

L 185 cm x W 70 cm x H 90 cm

Material:

Broom Fibers, Foam Layer, Stone, Metal Structure, White Resin.

In our language, we tend to use materials that can be hand sculpted. By working around those materials we always look for playfulness. In this piece, the process focuses on hand carving a typical local stone found in north of Lebanon. The stone is bush hammered to create a tactile surface yet maintaining this majestical allure, along with the hand tied natural fibers, creating alltogether “The Broom Bench”

Size:

ø 60 cm x H 29 cm

Material:

Terracotta, Broom Fibers.

A side table from the collection of objects made of terra cotta and hay.

Size:

Orange: L 35.6 cm x W 24.1 cm x H 18.4 cm ; Blue: L 46.4 cm x W 31.8 cm x H 12 cm

Material:

Foam.

The foam expands and moves, to reach new levels, and never can be limited by boundaries, it’s alive, dynamic and it can’t be trapped in a well-defined place, like memories ideas, and stories. It’s an interactive material; the procedure is part of an adventure never can predict its results and behavior.

Size:

ø 95 cm

Material:

Foam, mirror.

The foam expands and moves, to reach new levels, and never can be limited by boundaries, it’s alive, dynamic and it can’t be trapped in a well-defined place, like memories ideas, and stories. It’s an interactive material; the procedure is part of an adventure never can predict its results and behavior.

Size:

W 20.3 cm x H 25.4 cm

Material:

Foam, Clay, Bulb.

The foam expands and moves, to reach new levels, and never can be limited by boundaries, it’s alive, dynamic and it can’t be trapped in a well-defined place, like memories ideas, and stories. It’s an interactive material; the procedure is part of an adventure never can predict its results and behavior.

Size:

L 59 cm x W 41 cm x H 38 cm

Material:

Hand-sculpted Ceramic, Foam, Terra-cotta.

The foam expands and moves, to reach new levels, and never can be limited by boundaries, it’s alive, dynamic and it can’t be trapped in a well-defined place, like memories ideas, and stories. It’s an interactive material; the procedure is part of an adventure never can predict its results and behavior.

Size:

L 140 cm x W 55 cm x H 74-84 cm

Material:

American Walnut Wood, Genuine Leather, Cast Brass.

We are born with the liberty to write our own path, story, and script. The script of our life, career, family and most importantly the future of the world we live in. We are all trying, each in our own ways to elevate and refine the limits and rules to leave a better world for future generations. “Script” is a desk tailor made to leave you at comfort with everything you might need to write that scene down.

Size:
L 260 cm x D 61 cm x H 235 cm
Material:

French Oak, Fabric, Marble, Casted Brass.

Jungle Urbaine cabinet designed by Stephanie Moussallem is custom made in tinted solid French oak and covered with Hermès fabric for a private residence in Paris.

Size:

L 190 cm x W 46 cm x H 90 cm

Material:

American Walnut Wood, Velvet, Casted Brass.

"Nestled between flourishing mountains and the shimmering Mediterranean Sea, Beirut in spring blossoms into a city of wondrous abandon."

Size:

L 47 cm x W 42 cm x H 50 cm

Material:

American Walnut Wood, Velvet, Casted Brass.

Jasmine/ يسمين is a night stand that will make you feel that you are wondering in Beirut’s streets during spring time. The purple bougainvillea and the white jasmines hanging from all the balconies, the sun, a little breeze; and that smell... Sweet dreams!

Size:

D 20 cm x H 36 cm

Material:

Painted Wood, Coral, Fabric.

“Beyond the shared Mediterranean, Napoli and Beirut are astonishingly similar –– the impassioned people, love of family, strong presence of faith everyday life, the lemon and olives. The built-up chaos and natural serenity, especially, generate a familiar pulsating energy that can only exist in such evident contradiction.”    The overlapping landscapes of the Napoli and Beirut are brought to light. Elements of traditional Neapolitan artisanry dialogue with noble materials to create five distinct lamps that illuminate the different tonalities and impressions of both Mediterranean cities. A variegated melange of coral and bone work, religious symbolism, multi-hued glass and intricate woodwork come together in a soothing harmony that captures the beautiful contradictions.

Size:

D 20 cm x H 78.5 cm

Material:

Painted Wood, Bakelite, Fabric.

“Beyond the shared Mediterranean, Napoli and Beirut are astonishingly similar –– the impassioned people, love of family, strong presence of faith everyday life, the lemon and olives. The built-up chaos and natural serenity, especially, generate a familiar pulsating energy that can only exist in such evident contradiction.”    The overlapping landscapes of the Napoli and Beirut are brought to light. Elements of traditional Neapolitan artisanry dialogue with noble materials to create five distinct lamps that illuminate the different tonalities and impressions of both Mediterranean cities. A variegated melange of coral and bone work, religious symbolism, multi-hued glass and intricate woodwork come together in a soothing harmony that captures the beautiful contradictions.

Size:

D 55 cm x H 144 cm

Material:

Tinted French Oak Wood, Coral, Glass.

“Beyond the shared Mediterranean, Napoli and Beirut are astonishingly similar –– the impassioned people, love of family, strong presence of faith everyday life, the lemon and olives. The built-up chaos and natural serenity, especially, generate a familiar pulsating energy that can only exist in such evident contradiction.”    The overlapping landscapes of the Napoli and Beirut are brought to light. Elements of traditional Neapolitan artisanry dialogue with noble materials to create five distinct lamps that illuminate the different tonalities and impressions of both Mediterranean cities. A variegated melange of coral and bone work, religious symbolism, multi-hued glass and intricate woodwork come together in a soothing harmony that captures the beautiful contradictions.

Size:

D 45 cm x H 150 cm

Material:

Solid Mahogany Wood, Velvet, Brass, Glass.

“Beyond the shared Mediterranean, Napoli and Beirut are astonishingly similar –– the impassioned people, love of family, strong presence of faith everyday life, the lemon and olives. The built-up chaos and natural serenity, especially, generate a familiar pulsating energy that can only exist in such evident contradiction.”    The overlapping landscapes of the Napoli and Beirut are brought to light. Elements of traditional Neapolitan artisanry dialogue with noble materials to create five distinct lamps that illuminate the different tonalities and impressions of both Mediterranean cities. A variegated melange of coral and bone work, religious symbolism, multi-hued glass and intricate woodwork come together in a soothing harmony that captures the beautiful contradictions.

Size:

ø 26 cm x H 30 cm

Material:

Resin with Thread, Leather, Feathers, Metal Flakes, Wood, Brass.

We are all born naked. When naked, we are equal; equally vulnerable, equally exposed, equally weak, but we do not allow nakedness to define us. By covering ourselves, we do not strictly aim to hide our bare bodies. We use our second layer to create an identity, an image, a personality. We use materials, colors, and textures to make a unique statement, while simultaneously hiding, camouflaging and masking flaws and weaknesses. Second skins is a series of resin vases, born naked, equally unremarkable and lacking a clear well defined identity. Once covered, each object gains its own characteristics through the materials and textures that conceal it, allowing it to express its own particular traits. With the help of the second skins they host, each vase will hold a unique sense of esthetics and feel to it, providing its own tactile sensations and visual language.

Size:

Coffee Table: L 85 cm x W 60 cm x H 45 cm

Side Table: ø 40 cm x H 35 cm

Material:

Resin, Concrete Mix.

As my body is crucial and so is my skin, surfaces of things developed my sense of touch since I was a child. I explore textures with the tip of my fingers and the bottom of my feet; with my skin I experience the density, hardness or softness of things and a bodily reaction is inevitable when faced with a soft polished wood or a fluffy material. My body is in constant dialogue with its environment; I feel pleasure while discovering my resonance in space, the flow of a good piece of music flows easily under my skin, I experience tension in the muscles when facing a powerful painting, my guts contract when faced with a disturbing image... Bodily tables are a set of plastic objects assimilating qualities from the organic world while developing behaviors familiars to our corporeal experience. The skin of the tables breaks through its conventional mold, grows and develops its own unique shape and texture, enticing the eyes to gaze, the hands feel and the body to react.

Size:

Stool and lamp: H 175 cm x W 50 cm x ø 75 cm

Stool and flower holder: H 110 cm x W 50 cm x ø 80 cm

Stool: H 50 cm x W 50 cm x ø 75 cm

Stool and planter: H 75 cm x W 50 cm x ø 80 cm

Material:

Glass Reinforced Plastic.

A body mutates into the other, or maybe merges with the other; two worlds come together in an uncanny relationship to create a collection of amorphous symbiotic objects feeding off one another. Naturally, we come to the world connected to our mothers' umbilical cord, and throughout time we develop several relations and dependencies both physically and emotionally. Symbiotic Creatures is a collection of stools that reflects the relations between two entities in continuous exchange: a stool and a light, a vase, a growth and a creature. All echoing the need for the other and the quest for forming tactile bodily connections. The pieces become platforms for a familiar yet intimate bodily experience with the users, inviting their bodies to explore the act of sitting through a voyage of textures, exchanges and memories.

Size:

L 36 cm x W 30 cm x H 49 cm

Material:

French Oak Wood, Onyx.

I am still and quiet. I live during the day but especially at night. I travel through your dreams. I am straight, strong and strong like a rock in the filth of the night, I am the light like a lighthouse in your nightmares, the link to reality. I am the one who watches, who protects and who encloses your most intimate secrets. I am the guardian of your room. I am a rock of sweetness. I am essential. I am Faros.

Size:

ø 15 cm x H 30 cm

Material:

Silver Plated Brass, Enamel details.

They said you should look nice, so you try to look nice. Believing you would eventually blend in, following all kinds of protocols, and even lying to yourself just to be pretty. The problem is that what you see is definitely never what you get, it may look pretty on the outside, but what is happening on the inside? What are you exactly? What defines the immaterial you? If you take away all the protocols and chaos, what is there left? The nature of the object. A trash.

Size:

30cm x 30cm x H 40cm

Material:

Casted Polyurethane flexible foam, Polished brass, Glass, Marble, Painted Wood, Mirror

"Further developing the collection, we continue with a focus on reinterpreting cultural references through the use of new materials. Here, again, cast foam is the key. We have created a piece which references familiar elements yet sets them outside familiar contexts. With the foam – atop which sits a glass mirror - we’ve further explored its use and played with colors, density and porosity, once more creating an object eager to be touched. Part of a continuing story, when set in its contemporary context, the Mirror subverts the past and almost unwittingly reveals itself as part of a new tradition."

Size:

44 cm x 46 cm x 52 cm

Material:

Casted Polyurethane flexible foam, polished brass, glass, marble, painted wood

This design is based on the exploration of cultural traditions through everyday pieces and society’s contemporary interaction with them. Influenced by memories, the Bedside Table plays with overt references drawn from the omnipresent pearl jewelry of Lebanon’s past, and recreates these through the use of carved marble and turned brass. By whimsically suspending these around a circular base of cast foam, upon which is seated a molded transparent glass cabinet, they simultaneously achieve an abstract illusion of both the ethereal and the consequential; a contextualization of a reconstruction process. Through our experimentation and development with casting liquid foam, we’ve transformed this into a material of high perceived and structural value. The choice of the material was based on its chemical and physical properties. The foam expands and moves, to reach new levels, and never can be limited by boundaries, it’s alive and dynamic and it can’t be trapped in a well-defined place, like memories ideas and stories. It’s an interactive material; the procedure is part of an adventure, never can predict its results and behavior. It has a certain mystery and it reflects our resolve to assemble what was once forgotten. The procedure was based on molding different deconstructed elements hidden and preserved in a deep place in our minds and letting the foam merging, captivating and reconstructing all these elements in one entity, always highlighting its softness and delicate effect. By directly stacking contrasting layers and elements, including its opaque drawer, the Bedside Table juxtaposes materials and creates an object that demands to be engaged – physically and intellectually.

Size:

330 cm x 110 cm x H 75 cm 

Material:

Travertino and Statuario Marble, Resin, Casted Brass

A dining table inspired by the orange trees blossom, during the spring season in the Lebanese mountain.

Size:

D 60 cm x H 29 cm

Material:

Terra-cotta, Broom fibers

A side table from the collection of objects made of terra cotta and hay.

Size:

W 172 cm x ø 125 cm x H 280 cm 

Material:

Leather, Oak, Ceramics.

“New Nature” series by Khaled El Mays is an ensemble of various high crafts particular to Mexico City, where the collection was produced. El-Mays uses leather, wood, and, for the first time, ceramics, which brings a hint of surrealism to a collection very much inspired by the lines of Art Nouveau.

Size:

W 52 cm x ø 61 cm x H 89 cm

Material:

Leather, Oak.

“New Nature” series by Khaled El Mays is an ensemble of various high crafts particular to Mexico City, where the collection was produced. El-Mays uses leather, wood, and, for the first time, ceramics, which brings a hint of surrealism to a collection very much inspired by the lines of Art Nouveau.

Size:

W 131 cm x ø 94 cm x H 50 cm

Material:

Oak, Leather.

“New Nature” series by Khaled El Mays is an ensemble of various high crafts particular to Mexico City, where the collection was produced. El-Mays uses leather, wood, and, for the first time, ceramics, which brings a hint of surrealism to a collection very much inspired by the lines of Art Nouveau.

Size:

W 60 cm x ø 5 cm x H 100 cm

Material:

Oak, Leather, Ceramics, Mirror.

“New Nature” series by Khaled El Mays is an ensemble of various high crafts particular to Mexico City, where the collection was produced. El-Mays uses leather, wood, and, for the first time, ceramics, which brings a hint of surrealism to a collection very much inspired by the lines of Art Nouveau.

Size:

ø 41 cm x W 155 cm x H 160 cm

Material:

Wood, Brass, Velvet, Mirror.

“The counter” a wall hanged bar in which everything you might need to prepare cocktails and drinks is at hand. The whole Bar is studied in favor of the comfort of the user without neglecting the aesthetic dimension of the object. Each material used has been brought from one corner of the world to ensure the finest quality. This bar is made from living materials like wood; It is a piece that will get old with the users, have scars and wrinkles, and tell all their stories to future generations. "The counter " is a handmade bar manufactured with the best local Lebanese artisans, revisiting oriental crafts techniques that are fading little by little.

Size:

L 160 cm x W 63 cm x H 74-84 cm

Material:

French Oak in natural finish, Pastel Laminate, Casted Brass, Leather.

Sunshine desk offers the perfect source of inspiration, with its smooth finishing and selected color hues. The desk is made out of high-quality materials, including French Oak in natural finish, fused with pastel laminate, casted brass and leather. She experiments with local crafts and works closely with local artisans to realize her designs. Stephanie’s custom-made collections offer viewers a window into Mediterranean cultures, with a focus on Beirut. The Sunshine desk was privately commissioned for a client based in the United States.

Size:

D 13-24 cm x H 25-61 cm

Material:

Porcelain, Earthenware.

Imprévu presents a series of functional and aesthetic pieces that reinterpret everyday objects to whimsical effect. Each work is unique, some adorned with gold and others with repurposed and vintage details. Lina follows an intuitive process of making, and the collection’s title gestures toward the spontaneity of ceramics and to the idiosyncra- sies that Lina celebrates in her vulnerable, provocative wares.